Murder In The Frame

It was in 1980, while holidaying on Crete, that I read my first Agatha Christie novel. It was a good one, The Murder of Roger Ackroyd. From that moment I became hooked on whodunnits with complex plots. Within a year or two I had read every Agatha Christie novel there was.

My friend David Zampatti and I then conceived of the idea of staging Murder Weekends: weekends where guests could go away and partake of a play set in the 1920s or 1930s, where there was a scripted plot acted out by a cast, but also scope for the guests’ involvement in hunting out clues. This was our original idea and was conceived either before or at the same time as British murder weekends. By this time I had stopped playing music full-time. We staged our first murder weekend in 1983 and it gave me an idea of how to structure a whodunnit.

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